The Hidden – Brave New Failure
Album #: 57
Recording Dates: 1994
Release Date: 2006
In the Summer of 1994 the members of the Hidden booked Flat Iron Studios in Chicago to begin work on the follow-up to their “Stop. I’m bleeding.” CD. Once again Chuck U. ran the board but this time not in his own studio. We recorded for several days and mixed down close to 20 songs. We were dubbing cassettes of the master tapes over several days to listen to music on other systems. Somehow the band never got a hold of the master tapes (or even a digital copy of mixdowns) of these sessions and broke up in late 1994.
I worked hard to find the best version available when I began work in 2002 on finally releasing this album. I had four different cassettes that contained most of the recordings so I could identify the best source material (arg…from cassettes) to create the album. There was tape fuzz to deal with; some tapes had little glitches on some songs but not others, plus the songs had never been mastered so a round of equalization was needed.
A dozen songs made the album’s final running order. Looking at it 23 years later (arg…I was 24 when we recorded this!) it’s kind of an odd album – which makes it fit perfectly into this discography!
Below are three tracks that I hope get across the many moods of this record.
Three Track Sampler
Track 03 – Salamander (The Hidden) – Here’s a blast of distorted heft leading into purgatorial torment. From heavy to haunting in a split second the band shows a more complex style than on early recordings, and displays a wide dynamic range on this metallic track. [Scratch on Guitar]
Track 07 – Pink Snow (The Hidden) – Pink Snow was a live favorite and its relentless plodding still captivates all these years later. It’s got a stop-start intro, a slow groove bass, a frightening vocal performance and that simmering buildup to the ending with the bonus drum jam. This is one of the Hidden’s better constructed songs. [Scratch on Guitar]
Track 09 – Suicide King (The Hidden) – Set the manic to 11 as Brian M. unleashes a violent sermon on another dark track. I’m quite fond of how my guitar came out on this recording. [Scratch on Guitar]