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The Hidden – Brave New Failure

January 1st, 2018 Comments off

Album #: 57

Recording Dates: 1994

Release Date: 2006

Catalog: SMR23

ScratchNotes:

In the Summer of 1994 the members of the Hidden booked Flat Iron Studios in Chicago to begin work on the follow-up to their “Stop. I’m bleeding.” CD. Once again Chuck U. ran the board but this time not in his own studio. We recorded for several days and mixed down close to 20 songs. We were dubbing cassettes of the master tapes over several days to listen to music on other systems. Somehow the band never got a hold of the master tapes (or even a digital copy of mixdowns) of these sessions and broke up in late 1994.

I worked hard to find the best version available when I began work in 2002 on finally releasing this album. I had four different cassettes that contained most of the recordings so I could identify the best source material (arg…from cassettes) to create the album. There was tape fuzz to deal with; some tapes had little glitches on some songs but not others, plus the songs had never been mastered so a round of equalization was needed.

A dozen songs made the album’s final running order. Looking at it 23 years later (arg…I was 24 when we recorded this!) it’s kind of an odd album – which makes it fit perfectly into this discography!

Below are three tracks that I hope get across the many moods of this record.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Three Track Sampler

Track 03 – Salamander (The Hidden) – Here’s a blast of distorted heft leading into purgatorial torment. From heavy to haunting in a split second the band shows a more complex style than on early recordings, and displays a wide dynamic range on this metallic track.  [Scratch on Guitar]

Track 07 – Pink Snow (The Hidden) – Pink Snow was a live favorite and its relentless plodding still captivates all these years later. It’s got a stop-start intro, a slow groove bass, a frightening vocal performance and that simmering buildup to the ending with the bonus drum jam. This is one of the Hidden’s better constructed songs.  [Scratch on Guitar]

Track 09 – Suicide King (The Hidden) – Set the manic to 11 as Brian M. unleashes a violent sermon on another dark track. I’m quite fond of how my guitar came out on this recording.  [Scratch on Guitar]

Categories: 1990s - Early, The Hidden Tags:

From the Vault: Field Recordings 1991-1994

March 10th, 2012 Comments off

Album #: 31

Recording Dates: 1991-1994

Release Date: 2000

Catalog: SMR17

ScratchNotes:

Recording equipment and techniques change dramatically every few years. Sometimes you need to dig out the long forgotten gear and see just what you recorded. The “From the Vault” series gathers these leftover oddities into one place. Much of this collection was recorded on a microcassette player – in a tour van, in my basement, and even a recording of a phone call. Add in a few sample experiments using other artists’ music and you have the stranger side of my early 1990’s compositions.

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Two Track Sampler

Track 01 – AbubicaJoe and I play Zonk. We record it. Early 1990s.  [Scratch on Talking]

Track 02  – Freerange Eruption – A crappy Vesta Fire 4-track recorder and a Van Halen record.  [Scratch on Concept & Execution]

Scratchrock Volume IX

September 27th, 2009 Comments off

Album #: 11

Recording Dates: 1994 – 1995

Release Date: 1999

Catalog: SMR09

ScratchNotes:

Climbing aboard a shit-brown truck dubbed the “Urban Assault Vehicle Turdcutter”, the Hidden began a two week U.S. tour.  Colorado, Texas, New Mexico…the band played six shows in fourteen days for around $300 in payment.  A video tour documentary was created in tribute: “Soundmen, State Parks, and Open Sores”.  Unfortunately, the road trip intensified personal conflicts within the band.

Coupled with a quarter-century life crisis, I quit the band to go back to school.  Brian M. departed as well, and the Hidden disappeared.  I resumed delivering pizza, moved in with my parents, and began concentrating on solo work.  With a new workstation at my disposal, I focused on electronic music and pop songs.

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Five Track Sampler

Track 04 – Swell (The Hidden) – I know what you’re thinking – what would the Hidden sound like with a horn section? Find out here as the Hidden re-record this track for the “Brave New Failure” sessions with horns arranged by T.S. Henry Webb and performed by the Fazio Blasto Trio.  [Scratch on Guitar]

Track 7 – I Love You and You Love Me and We’re In Love (MX Skroch) – Come celebrate codependency in a disintegrating culture with this heavy rocker featuring some rather aggressive guitar playing.  [Scratch on Vocals and All Instruments]

Track 14 – Vikings (part one) (MX Skroch) – Vikings (part one) gives the listener the opportunity to create a horror film in their own mind – with this foreboding track an appropriate soundtrack.  [Scratch on All Instruments]

Track 16 – Settle For Me (MX Skroch) – Some people are looking for more than they deserve. Acoustic guitars and lead bass back up this tale of mid-90’s nightclub dwellers. [Scratch on Vocals and All Instruments]

Track 18 – The Specialist (The Hidden) – This track is a nice summary of the direction the Hidden was headed in the latter days of the band. Dissonant chords, spooky verses, stop/start breaks, manic vocals and paranoia. [Scratch on Guitar]

Capitalism…Hidden Style

September 16th, 2009 Comments off

Here is the business card of the Hidden’s front organization:

trog-card

Here are the invitations we sent out for the “Stop. I’m bleeding.” record release party that took place on 9/25/1993:

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Here is an official button from the Hidden. If you came to the record release party you just might have one…

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Finally, here are two metal sticker designs that the Hidden left a trail of across America…

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Categories: 1990s - Early, The Hidden Tags: